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Schematics 4 Free. Synopsis: Casca, meeting Cicero, describes the marvels visible in the streets that night and suggests that the marvels foretell important events to come.
Contents Characters in the Play. Act 1, scene 1 In Rome the people are taking a holiday to celebrate the triumphant return of Julius Caesar. Act 1, scene 2 A soothsayer advises Caesar that the fifteenth of March will be a dangerous day for him. Act 1, scene 3 Casca, meeting Cicero, describes the marvels visible in the streets that night and suggests that the marvels foretell important events….
Act 2, scene 1 Brutus anxiously ponders joining the conspiracy against Caesar. Act 2, scene 2 It is now the fifteenth of March. Act 2, scene 3 Artemidorus waits in the street for Caesar in order to give him a letter warning him of the conspiracy. Act 3, scene 3 Cinna the poet is attacked and killed by the Roman mob because his name is the same as that of…. Act 4, scene 1 Antony, Lepidus, and Octavius meet to condemn to death those who may oppose them.
Act 4, scene 2 Brutus and Cassius each feel wronged by the other. Act 5, scene 1 The opposing armies confront each other at Philippi. This note is most generally where the two clefs split. However, this is not always the case. As you start learning more advanced piano music you will sometimes see that you will need to play some notes lower than Middle C with the right hand and some notes that are above Middle C with the left hand. It all depends on what is more comfortable for the player and what each hand has to play at a certain moment.
If you have to play a high note and a note that is close to Middle C, you will most likely play the high notes with the right hand and the notes around Middle C with the left hand.
I hope these charts have been helpful. Make sure to print it off and set it next to your piano or keyboard are a music tool to help you. Skip to primary navigation Skip to content Skip to primary sidebar We have the most comprehensive Piano Note Chart available for download.
The Piano Note Chart Here is an image of the piano chart. His bass lines were solid as a rock while using syncopations and plenty of 16th notes to keep the groove lively and bouncy…without ever getting in the way. One of the greatest electric bass players, and certainly one who propelled the instrument to far greater heights than ever before, is Jaco Pastorius.
John Paul comes from a highly musical family and his diversity in terms of music as well as instruments shows his vast talent. The groove example shows a vast range, using three different octaves of the root E. The groove example is a rare example of a pattern starting on a non-root note. Dunlap is one of those underappreciated bass players who has been heard by millions and is known to few. Cameroon bassist Richard Bona is one of those rare bass players who comes along with a truly unique voice, both figuratively speaking as well as for real.
With chops to spare, Bona is one of the most distinctive and expressive bassists on the scene today. Tennessee bassist Cogbill was one of the true legends of the bass. Being a producer, Cogbill had an uncanny ear for what the song needed and was unafraid to dive in with complex bass parts.
A lucky day indeed it was when McCartney was asked to switch to bass for the Beatles. His lines are absolute classics and really well-constructed. He is unusually busy rhythmically for a rock player within that pattern. A typical device of the great session players Dunn, Jamerson, Cogbill, etc was to use both the flat 7th as well as the 6th in the groove, tweaking it until the harmony was not too harsh the 7th is pretty strident and not too bland the 6th can have that quality.
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